Daniele Ghisi




 

Projects

bach: automated composer's helper sy sy

List of publications

Journals

  • J. Mandereau, D. Ghisi, E. Amiot, M. Andreatta, C. Agon, “Z-relation and homometry in musical distributions”, Journal of Mathematics and Music, vol. 5, n. 2, p. 83-98, 2011 (PDF)
  • J. Mandereau, D. Ghisi, E. Amiot, M. Andreatta, C. Agon, “Discrete phase retrieval in musical structures”, Journal of Mathematics and Music, vol. 5, n° 2, p. 99-116, 2011 (PDF)
  • A. Agostini, D. Ghisi, “Real-time computer-aided composition with bach“, Contemporary Music Review, Volume 32, Part 1, p. 41-48, 2013
  • D. Ghisi, “Sources contemporaines”, Musique(s), N.1, Printemps, 2014.
  • M. Cotronei, D. Ghisi, M. Rossini, T. Sauer, “An anisotropic directional subdivision and multiresolution scheme”, Advances in Computational Mathematics, June 2015, Volume 41, Issue 3, pp 709-726 (link)
  • M. Bozzini, D. Ghisi, M. Rossini and T. Sauer, “Directional transforms and pseudo-commuting properties”, M. C. López de Silanes, M. Palacios, G. Sanz, É. Ahusborde y C. Amrouche, (eds.): Twelfth International Conference Zaragoza-Pau on Mathematics, 2014, Monografías del Seminario Matemático García De Galdeano. ISBN: 978-84-16028-35-1.
  • A. Agostini, D. Ghisi, “A Max Library for Musical Notation and Computer-Aided Composition”, Computer Music Journal, Volume 39, No. 2, p. 11–27, 2015 (link)
  • L. Bigo, D. Ghisi, A. Spicher, M. Andreatta, “Representation of Musical Structures and Processes in Simplicial Chord Spaces”, Computer Music Journal 2015 39:3, 9-24 (link)

Proceedings

  • A. Agostini, D. Ghisi, “bach: an environment for computer-aided composition in Max”, Proceedings of the International Computer Music Conference (ICMC 2012), Ljubljana, Slovenia, p. 373-378, 2012
  • A. Agostini, D. Ghisi, “bach: una libreria per la composizione assistita in Max”, Proceedings of the XIX Colloquio d’Informatica Musicale (CIM 2012), Trieste, Italia, 2012
  • A. Agostini, D. Ghisi, “Gestures, events and symbols in the bach environment”, Proceedings of the Journées d’Informatique Musicale (JIM 2012), Mons, Belgium, p. 247-255, 2012 (PDF)
  • A. Agostini, E. Daubresse, and D. Ghisi, “cage: une librairie de haut niveau dédiée à la composition assistée par ordinateur dans Max”,Proceedings of the Journées d’Informatique Musicale (JIM), Bourges, 2014
  • A. Einbond, C. Trapani, A. Agostini, D. Ghisi and D. Schwarz, “Fine-tuned Control of Concatenative Synthesis with CataRT Using the bach Library for Max”, Proceedings of the International Computer Music Conference (ICMC), Athens, 2014
  • L. Bigo, D. Ghisi, A. Spicher and M. Andreatta, “Spatial Transformations in Simplicial Chord Spaces”, Proceedings of the International Computer Music Conference (ICMC), Athens, 2014
  • A. Agostini, E. Daubresse, and D. Ghisi, “cage: a high-level library for real-time computer-aided composition”, Proceedings of the International Computer Music Conference (ICMC), Athens, 2014
  • A. Agostini, E. Daubresse, D. Ghisi, “cage: una libreria di alto livello per la composizione assistita da computer in tempo reale”, Proceedings of the XX Colloquio d’Informatica Musicale (CIM 2014), Roma, Italy, p. 17–22, 2014 (PDF) — NB: this article is an Italian translation of “cage: a high-level library for real-time computer-aided composition” (see above)
  • D. Ghisi, C. Agon, “Real-Time Corpus-Based Concatenative Synthesis for Symbolic Notation”, Proceedings of the TENOR conference, Cambridge, UK (2016)
  • D. Ghisi, M. Bergomi, “Concatenative Synthesis via Chord-Based Segmentation for ‘An Experiment with Time’”, Proceedings of the International Computer Music Conference (ICMC), Utrecht, 2016
  • D. Ghisi, A. Agostini, E. Maestri, “Recreating Géard Grisey’s Vortex Temporum with cage”, Proceedings of the International Computer Music Conference (ICMC), Utrecht, 2016